winner
 

 

If Yahweh (the Demiurge to Gnostics) really does exist, then somebody’s going straight to hell for this little documentary gem—and you know what?—it would probably be worth it.

 

Most of the core ideas presented in this film have been explored in literary fashion by others—and have been reviewed  & otherwise memorialized on Parallel Perspectives—but this cinematographic presentation represents the icing on a very heretical cake.

 

The film opens with an animated depiction of the sun revolving around the earth. Producer/Narrator Brian Flemming’s voice tells us that Christianity once believed that this was the way the universe functioned. Next Flemming says, “If Christianity could be wrong about this, could it also be wrong in other areas of life?” The opening transitions  to what are my favorite scenes, consisting of motion pictures of archival silent & 1950  Bible Stories.

 

Then the scene changes again to a message board image with dozens of pictures of Jesus covering it. Then, one be one, a picture is replaced by an actual person being interviewed regarding their Christian faith. The people represent many races, many different walks of life. They look like anybody you might meet walking down a pleasant street or living next door—and this is what makes their delusional thinking really chilling. They are like pod people.

 

The film continues to intersperse archival & humorous scenes with interviews of believers & non-believers. One segment that I really related to was on the subject of “The Rapture.” For those who have been spared knowing what that is, it refers to the “End of Times” when “real” Christians (i.e. Fundamentalists) will be “assumptioned” or fly bodily up into heaven like The Virgin Mary. Then while they (the “Saved”) watch from their lofty location with Jehovah et al., everybody left on earth will be tortured & cast into hell by the Anti-Christ right before their eyes. The blueprint  for this universal massacre is found in “Revelations.” I say I related to this because our site  features a historical materialist interpretation of the Armageddon motif by Friedrich Engles: 666 and Historic Materialism.  In it, the earliest of Marxists expresses his astonishment at the sheer delight the author of Revelations takes in anticipating the approaching suffering of all non-believers.

 

Moving along, there is an interview with a Fundamentalist (I call them the Religious Mafia) who started a website called “The Rapture Letters.” No kidding. It provides a program for fellow believers who want to leave a message for their unbelieving relatives & friends who get left out of the fast lane to Jehovah.  It’s like saying, “Nani-nani-nah-nah, we made it & you didn’t—TOLD YOU SO!” It’s ludicrous—but don’t forget, these Fundamentalists occupy positions of authority on all levels of society. I saw an interview on TV with a real life police detective who had absolutely no compunction saying that all “the bad guys” he fights on the street are, in fact, demons! And he meant that literally.

 

He’s not the only religiously challenged cop out there in "The Force," I’m sure

 

See also,

REVIEW: THE NEANDERTHAL LEGACY

 

When Christians in the movie are asked how they can reconcile ideas in the Bible that don’t fit in with the image of the loving Father in Heaven, their invariable response is 1. Outright denial or ignorance of the issues involved, or 2. “It’s all part of God’s Will.”

 

This is like the Salem Witchcraft trials (and, no, I don’t believe there were any "real" witches.) When asked for proof of a defendants guilt, the accusers offered “spectral evidence,” things that could range from nightmares to an upset stomach. Nothing we would call today “material evidence.”

 

Another section I liked in the film is how the idea that Jesus may never have existed is presented. In line with this, there is a funny archival clip depicting the Apostle Saul’s conversion to Paul, and becoming the great propagandist for the successful Romanized version of Christianity. I found it really interesting when the narrator stated that Paul never demonstrated any knowledge of the Gospels of Mathew, Mark, Luke & John.

 

See also,

JESUS NEVER EXISTED.COM

THE NEW TESTAMENT CODE Robert Eisenman

 

Interviews with folklorists in the film show just what a cut-and-paste creation Christianity is—and the numerous points of identity connecting Jesus with a host of more ancient Pagan hero/resurrection figures.

 

See also,

REVIEW: THE JESUS MYSTERIES

REVIEW: SECRET BOOKS OF THE EGYPTIAN GNOSTICS

 

THE GOD WHO WASN’T THERE includes a fairly extensive clip from Mel Gibson’s THE PASSION OF CHRIST. The idea was to show just how meticulous Gibson was in showing graphic, bloody violence. This was important because the motif of blood sacrifice is absolutely central to the confessional/Abrahamic religions (Judaism, Christianity, Islam.) The film also made a point first documented by Eisenman, that is, the depiction of the Sanhedrin (Jewish Council that condemned Jesus) as the  embodiment of pure evil. Interestingly, both Eisenman & GOD, etc producer Brian Flemming indicate how ridiculous it was to state, as the Bible does, that the Sanhedrin would have become involved  in such a complex case during Passover. Eisenman goes further & says that they couldn’t unanimously agree about anything. Anyone with a background in city government can appreciate the humor. [Above left, The Sanhedrin, from an 1883 encyclopedia]

 

I’m not going to comment any further on Gibson’s abomination because, like a violent rape, it makes me sick to think about.

 

See also,

SEX, DRUGS, VIOLENCE & THE BIBLE

 

The film draws a valid analogy between the evolution of the Christian “Party Line” and how a hoax story on the internet morphs into a story considered as fact.  Don’t forget, they can justify anything because “God wills it.” Book Burning. Murder. Pogroms. Homophobia. Discrimination. Segregation. Genocide…the Religious Mafia has its pudgy little fingers into everything that doesn’t fit in their single dimensional, distorted worldview.

 

There’s only 2 problems I had with the film.

 

1. The advance promo material overstates its “dazzling motion graphics.” They’re OK, but there are plenty of “ancient history” type productions—including several brilliant programs dealing with the Gnostics & Knights Templar (see review below.) Again, the producer’s enthusiasm aside, the ideas presented in the film are not particularly new, they’ve been bouncing around in the public domain for quite some time now.

 

2. The core dramatic/animated segment ended too soon. I would easily have watched another 30 minutes or so—but then it’s good to leave the audience asking for more—and I sincerely hope we see more of related subject matter in future DVDs.

 

Oh, I almost forgot. While researching for my article DOES SPIRITUALITY REALLY EXIST?, I came to the conclusion that Exodus never happened. If that is true, then it knocks out the foundations for all 3 Abrahamic/Confessional religions: Judaism, Christianity and Islam. This also makes moot the point whether Jesus really existed or not.

not rated

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